Review - To Live Forever: Egyptian Treasures from the Brooklyn Museum
For ancient Egyptians, death was the easy part. Gaining eternity was, regardless of rank, a journey that makes Dante’s Inferno look like a walk in the park. And though they could not buy their way into the afterlife, those with means definitely had a strong advantage. That is the context of “To Live Forever: Egyptian Treasures from the Brooklyn Museum” at the John and Mable Ringling Museum of Art.
More than 100 objects spanning 4,000 years illustrate the evolution of a complex system of beliefs and rituals regarding the departure from this life and entry into the next.
We see how those lower on the food chain emulated as best they could the surface feeders and understand that it wasn’t just for show. How one was buried and with what accoutrements were, literally, life and death issues. Amassing the money needed to pay for a proper sendoff could take years.
Preservation of the body was paramount, as was specific identification by name. Different levels of mummification were available, and whether you got the full treatment, in which most of the organs were removed and everything encased in resin, or a simple wash-and-wrap job, depended on your budget. The heart, considered to control thought and emotion, was left in the body. The brain, not believed to have value, was destroyed.
The goal was to arrive in the netherworld beneath the earth, undertake a perilous journey by boat, avoid the onslaughts of demons and find an advantageous spot to settle down permanently.
Unlike other large shows of Egyptian antiquities I have seen, this one is not intended to inspire awe. It gives us a sense of how real people coped with the exigencies of life and aspirations in death. Because so much time is covered, we also see how many practices changed. And though it dwells on the nonrich a lot, most of the objects belonged to those with some means. The poorest people probably could not afford even a simple coffin.
The Brooklyn Museum, which organized the show from its own enormous, world-famous collection, sent few objects made of precious metals and gems. But I really like the show. It has a clear mission and makes sense of the carved stones and old statues that tend to make our eyes glaze over in many antiquities shows.
Excerpted from an article by Lennie Bennett, Times Art Critic for tampabay.com
To Live Forever: Egyptian Treasures from the Brooklyn Museum is at the John and Mable Ringling Museum of Art, 5401 Bay Shore Road, Sarasota, through Jan. 11. Hours are 10 a.m. to 5:30 p.m. daily. Admission, which includes the Circus Museum and Ca d’Zan, is $19 adults, $16 seniors, $6 children 6 to 17. (941) 359-5700; ringling.org.
Egypt to retrieve ushabti from Netherlands
A precious 4,000 year old ushabti from the 19th Dynasty will finally return to Egypt. The artifact, discovered in Saqqara in 1985, stolen and then auctioned, was identified by experts at a museum in Lyden, the Netherlands, after it was presented to them by an amateur collector who had bought the item without knowledge of its provenance.
Dutch authorities delivered the ushabti to representatives of the Egyptian government.
Ushabtis are small mummy-form figurines, complete with hieroglyphs meant to represent the deceased and to act as his substitute when required by the gods to perform manual labor in the afterlife. The wealthier the deceased was, the more ushabtis were placed in his tomb. Its size and numbers make them an easy target for smugglers to illegally export from Egypt.
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By N2H
